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Twelve-Tone Composition - Description of the technique.
American Festival of Microtonal Music - The AFMM produces and commissions works which use pitches and musical scales which are not organized in the standard twelve tone to the octave equally tempered way.
Stravinsky Choral Music - Musical analysis and interpretation of his music for chorus with discussion of individual works for analysists and conductors. Also includes commentary on his twelve-tone works.
Instructions for the_matrix - An interactive matrix builder.

Wikipedia Articles

Twelve-tone technique - Twelve-tone technique (also dodecaphony and, especially in British usage, twelve-note composition) is a method of musical composition devised by Arnold Schoenberg. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of ...
Tone row - In music, a tone row or note row (German: Tonreihe) refers to a non-repetitive ordering of the twelve notes (pitch-classes in musical set theory) of the chromatic scale. Tone rows are the basis of Arnold Schoenberg's twelve-tone technique and most types of serial music.
Twelve string guitar - The twelve string guitar is an acoustic or electric guitar with twelve strings, which produces a richer, more ringing tone than a standard six string guitar. Essentially, it is a type of guitar with a natural chorus effect due to the subtle differences in string timbre.
Derived row - In music using the twelve tone technique, a derived row is a tone row whose entirety of twelve tones is constructed from a segment or portion of the whole, the generator. Anton Webern often used derived rows in his pieces.
Nummer 2 - ... Goeyvaerts's work by four years). Unlike its immediate predecessor in Goeyvaerts's catalog, Nr 1 (1950–51) Sonata for Two Pianos, and two of its serial successors, the electronic Nr 4 met dode tonen (1952) and Nr 5 met zuivere tonen (1953), Nr 2 uses a recurring [[twelve-tone technique|twelve-tone row in the first and last of its three sections (Sabbe 1977, 55–58).